Twee putti, één met druiventros, bij een plant in pot 1675 - 1685

This print, made by Pietro Antonio Cotta, presents two putti arranged within a defined triangular frame, executed in detailed lines. The composition immediately draws the eye to the interplay between organic forms and structured lines. Observe how the artist uses contrasting textures to distinguish the soft flesh of the putti from the rigid edges of the frame. One putto, positioned dynamically, reaches for a bunch of grapes, while the other is partially hidden. The use of line, particularly in the rendering of the floral elements, creates a dense yet airy effect, contributing to a sense of vitality. The semiotic interplay between the putti and the flora suggests themes of growth and abundance. Cotta's approach destabilizes fixed meanings by integrating classical motifs with naturalistic details. Note finally how the work functions as part of a broader artistic discourse by questioning traditional modes of representation.