Untitled [MR7] 1952

David Hare made this sculpture, likely in the mid-20th century, using metal rods, sheets, and a central brass form. Notice how the artist used techniques such as welding, bending, and patination to transform these materials into a dynamic composition. The rough, almost industrial, nature of the metal contrasts with the delicate balance of the overall structure, which has a slightly apocalyptic feel. Hare was associated with Surrealism, and often incorporated found objects into his sculptures, blurring the line between high art and the everyday. The use of industrial materials and processes reflects the social context of the time, with its focus on manufacturing and production. The labor-intensive processes of cutting, welding, and assembling, are all part of the sculpture's meaning. Considering the materials and making of this sculpture, it is evident that Hare was not only a sculptor, but also a skilled metalworker, challenging the traditional distinctions between fine art and craft.