Carved Ornament by Charles Garjian

Carved Ornament 1935 - 1942

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drawing, paper, pencil

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drawing

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paper

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pencil

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decorative-art

Dimensions overall: 45.9 x 36.6 cm (18 1/16 x 14 7/16 in.) Original IAD Object: 15 1/4" long; 14 1/2" wide

Editor: So this is "Carved Ornament," a pencil drawing on paper by Charles Garjian, sometime between 1935 and 1942. It looks like a study for a decorative carving, quite detailed. What historical contexts can you glean from something like this? Curator: This drawing offers a glimpse into the intersection of art, labor, and public works during the Depression era. Consider the context: the Works Progress Administration, or WPA, employed artists to document and create art for public spaces. Garjian's drawing likely falls under this umbrella. How do you think the socio-economic conditions of the time might have influenced the creation and style of this drawing? Editor: Maybe the emphasis on craftsmanship, looking back to traditional skills when so many jobs were lost to industrialization? The ornament itself feels... nostalgic? Curator: Precisely. This idealized vision of ornamentation, drawn rather than carved, hints at both a preservation of craft and the economic realities that may have prevented actual carving. The drawing could be a design proposal, a record of existing ornamentation, or even a training exercise. Do you notice anything about the style that might suggest its public role? Editor: It's quite precise and descriptive, less expressive and more…documentary, perhaps? Aimed to be universally understood. Curator: Exactly. There is also a subtle politics in portraying this ornament, suggesting ideals about beauty and utility amidst economic hardship, a reminder of enduring values perhaps, shaping public perception and morale. These images would often serve as models or historical records within public collections. Editor: It’s fascinating to see how a seemingly simple drawing can tell such a layered story about a specific moment in time. I never would have considered it in relation to the WPA. Curator: It demonstrates how deeply art is embedded within its socio-political fabric. Considering this historical perspective can deepen our appreciation of both the artwork and the context it was created within.

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