Karpers 1830 - 1872

Editor: This is "Karpers," a print by Firmin Gillot made sometime between 1830 and 1872. It looks like a woodcut and features three carp arranged in a circular composition. The line work is really striking and adds such an interesting geometric quality to the whole thing. What's your take on this? Curator: Indeed, the linear precision is remarkable. Observe how Gillot employs the woodcut medium to create varying textures, primarily within the bodies of the carp. Notice how he renders the scales through precise and repetitive lines. Editor: Yes, it almost looks like a pattern. Are you saying that he used pattern to depict the scales? Curator: Precisely. Consider the formalism at play here. It reduces natural form into nearly abstract shapes, prompting us to contemplate how an object is rendered and less about what it means symbolically. It compels us to observe the intricate relationship between line, shape, and composition. Editor: So, by focusing on the style and how it's made, you can separate it from symbolic or narrative meaning? Curator: To a significant degree, yes. It prompts questions like, how does the choice of the woodcut technique impact our perception, or the interplay of positive and negative space contribute to the artwork's overall aesthetic? Editor: That’s such a different way of thinking about it than I’m used to. Thanks! Curator: You're welcome. By contemplating the formal devices, we start an exercise in observing art for art’s sake.