Dimensions: image: 695 x 1015 mm
Copyright: © Nan Goldin, courtesy Matthew Marks Gallery, New York | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: So here we have Nan Goldin's photograph, "Nan one month after being battered." The unflinching gaze is just... intense. What's your take on this raw vulnerability? Curator: Vulnerability is spot on. I see a warrior, really. The pearls, the lipstick—these are defiant acts of self-preservation, almost a refusal to be defeated. A month later, and still so visible. What does it tell us about time, healing, and the stories our bodies carry? Editor: That makes me see it differently. It's not just pain, but survival. Thanks! Curator: Exactly! Art's magic trick—changing the way we see, one bruise, one pearl at a time.
Comments
http://www.tate.org.uk/art/artworks/goldin-nan-one-month-after-being-battered-p78045
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
P78045In 1984 Goldin was physically assaulted by her then-lover in a Berlin hotel, requiring major surgery as a result. Her self-portrait after the event reflects Goldin’s honest approach, which never avoided showing personal trauma. Marking the end of a long-term relationship, the image acts as the emotional climax of The Ballad. Goldin says ‘I took this picture so that I would never go back to him.’ Gallery label, April 2019