Verbond van vereniging tussen de vrijmetselaarsloge der Strikte Observantie te Brunswijk en het Groot Oosten der Nederlanden 1781
metal, relief, sculpture
portrait
neoclacissism
metal
relief
sculpture
symbolism
Editor: This is a metal relief, a commemorative coin from 1781 titled "Verbond van vereniging tussen de vrijmetselaarsloge der Strikte Observantie te Brunswijk en het Groot Oosten der Nederlanden," by A. Schaasberg. I'm immediately struck by the classical imagery paired with... something a little more mysterious. What do you see in this piece, Professor? Curator: Immediately, the interplay between established power, symbolized by the classical columns, and untamed instincts – the horse and lion – draws my eye. Note how both creatures are *restrained*, seemingly within the architectural framework. Consider how the iconography hints at a negotiated truce or perhaps a channeling of primal forces within a structured system. The initials "S, M, T" with the cross could be hinting toward masonic themes of spirituality or transcendence. Editor: That's interesting! I hadn't considered the animals as being restrained, but I see it now, contained within this classical, almost theatrical scene. Does the combination suggest conflict or harmony, would you say? Curator: Harmony, but perhaps a tense one. It evokes a balance of opposing forces; the rational and irrational, control and freedom, potentially even hinting at the reconciliation of different factions within Freemasonry. The very act of creating such a coin broadcasts the aspiration for unity, embedding it within cultural memory. Consider what anxieties such union aimed to allay. Editor: So, this isn't just a pretty image, but a statement about power, control, and reconciliation expressed through symbolic language! I guess every detail really does count. Curator: Precisely. Each symbol builds upon another, creating layers of meaning that speak to the cultural anxieties and aspirations of its time. Looking at this coin is like unlocking a secret language etched in metal. Editor: Thanks for pointing that out – I now see so much more in this artwork.
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