Portret van Pieter Pietersz. Heyn by Edouard Taurel

Portret van Pieter Pietersz. Heyn 1841 - 1879

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print, engraving

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portrait

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print

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old engraving style

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history-painting

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engraving

Dimensions: height 216 mm, width 147 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Portret van Pieter Pietersz. Heyn," an engraving by Edouard Taurel, made sometime between 1841 and 1879, housed at the Rijksmuseum. It's a very formal portrait, serious and stately, with that distinctive ruff collar. How do you interpret this work, thinking about its context? Curator: Considering the timeframe, we can explore this portrait beyond a simple depiction of a historical figure. Taurel created this engraving well after Heyn's death, during a period of nation-building and historical romanticism in the Netherlands. Doesn't the choice of depicting Heyn, a naval hero known for capturing the Spanish treasure fleet, suggest something about Dutch identity at the time? Editor: That's interesting. So, it's less about Heyn the man and more about Heyn the symbol? The ideal of Dutch courage and maritime power? Curator: Exactly. The print is an object of historical interpretation. What visual elements support this? Look at the inclusion of the coat-of-arms, it serves to legitimize his power and solidify his place in history. Consider, too, how the *style* of engraving itself evokes a sense of historical authenticity, aligning Heyn with a glorious, perhaps selectively remembered, past. This becomes a visual statement of national pride, particularly relevant within 19th-century sociopolitical dialogues. Editor: I see. So, the portrait isn't just a likeness; it's a constructed image intended to promote specific ideas about Dutch history and national identity. It’s an active participant in the conversations about nationalism during that period. Curator: Precisely! The print engages with contemporary society through the lens of history. We’re not just looking at a portrait, but a visual argument about Dutch heritage, valor, and power constructed in a very specific socio-political moment. What was originally created to represent is recycled to signify new ideological contexts. Editor: That really shifts my perspective. I went from seeing a straightforward portrait to understanding its role in shaping national narratives. Curator: Exactly. This approach makes historical artworks newly, powerfully relevant.

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