Gideon Elon, de derde echtgenoot van Isabel Wachenheimer, leunend met zijn hand op de reling van een schip by Anonymous

Gideon Elon, de derde echtgenoot van Isabel Wachenheimer, leunend met zijn hand op de reling van een schip 1956 - 1970

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photography, gelatin-silver-print

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portrait

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print photography

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aged paper

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contemporary

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photography

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gelatin-silver-print

Dimensions: height 85 mm, width 60 mm

Copyright: Rijks Museum: Open Domain

Curator: There's a wonderful wistful quality to this gelatin-silver print. The subject is Gideon Elon, captured sometime between 1956 and 1970, leaning on the railing of what appears to be a ship. The slightly aged quality of the paper adds another layer to its character. Editor: It’s intimate, a frozen moment that still carries weight. Looking at his posture, there is both ease and pensiveness. Do you know anything about the story behind the image? Curator: Gideon Elon was the third husband of Isabel Wachenheimer. It would be interesting to consider this in light of societal expectations around marriage at the time, specifically remarriage, and what that might mean for this man’s identity and status. Also, why the ship? Is he embarking on a journey? Was Isabel the photographer? It’s tempting to see the sea as a metaphor, both freedom and the unknown. Editor: It seems the process is essential in understanding not only the image, but the personal experience of its creation. A gelatin-silver print would have been widely available; the darkroom processes, the choice to develop it... was the act of photography within their social circle primarily functional or an art form? Was this print carefully framed or kept casually? How did these methods of production and access shift meanings, not just in how subjects like Gideon were seen, but more broadly the concept of representation and intimacy at the time? Curator: I’m also struck by the composition. The boat's structure, juxtaposed with what little we can see of the buildings behind it... how do these elements highlight or minimize Gideon as an individual navigating through life? Perhaps, a meditation on visibility. His location is interesting; the background and the context blend within an individual. It is like how personal lives often intertwine within complex systems and frameworks. Editor: So much left to interpretation. The quiet stories a single photograph can contain... Curator: Precisely. A slice of life captured through a specific lens and method.

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