Another Disappearance by Sam Francis

Another Disappearance 1963

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painting, acrylic-paint

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abstract-expressionism

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painting

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acrylic-paint

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abstraction

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allover-painting

Copyright: 2012 Sam Francis Foundation, California / Artists Rights Society (ARS), NY

Curator: Standing before us is Sam Francis's "Another Disappearance," an acrylic on canvas completed in 1963. Editor: It strikes me as a visceral outpouring. Those bold splotches of red, blue, and yellow – they create a tension on this stark white background. There is such rawness and almost a sense of uncontrolled release in its all-over composition. Curator: The materiality of the work speaks to Francis's background as a trained medical doctor who underwent a protracted illness after contracting tuberculosis of the spine. This experience led him to examine color in how it functions biologically. Editor: That's fascinating. Considering that Francis spent a significant portion of his life confined to a hospital bed, we could argue the "disappearance" referenced in the title alludes to the physical and mental toll taken by long term institutionalization. It makes one wonder about questions of visibility, the marginalized body, and social isolation, given the almost surgical absence of clear focal points or perspective within this space. Curator: Precisely! Note the technique: the fluid acrylic applied so it bleeds and pools. Francis pushes against formal definitions, transforming artmaking to rely on gravity and chance operations; he would pour and tilt the canvas to allow the materials to take on form organically. Editor: That feeling of surrendering to chance reminds me how the late 50's-early 60's were such pivotal eras culturally—a turning point for post-war anxiety but also immense creativity spurred by questions surrounding shifting socio-political landscapes that resonate even now, across genders and generations affected. Curator: I find that so astute. Through gesture and color saturation alone, Francis evokes those palpable anxieties of a world hurtling towards unprecedented shifts... while the use of acrylic paint represents new methods of mass manufacture that emerged mid-century. The effect isn’t chaos but complex materialist insight embedded right within abstraction. Editor: It prompts profound contemplation about what fades into oblivion: memories, physical forms, cultural norms constantly displaced... But perhaps also suggests something is gained when boundaries dissolve through artistic practices engaged reflexively with the medium and the era. Curator: Absolutely. This one, titled "Another Disappearance," indeed gives substance to what it suggests, by questioning ideas on substance altogether. Editor: An evocative exploration indeed. It challenges our expectations of visibility itself through art, demanding a sensitivity beyond easy visual apprehension.

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