Woman with a hat walking under a tree by Torii Kiyonaga

Woman with a hat walking under a tree c. 1782

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print, ink, woodblock-print

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portrait

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ink painting

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print

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ukiyo-e

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figuration

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ink

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woodblock-print

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orientalism

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genre-painting

Dimensions 26 7/8 × 4 13/16 in. (68.3 × 12.2 cm) (image, sheet, hashira-e)

Curator: The composition! It’s like she's whispering a secret into the wind... all that pale space around her, the almost monochrome palette... it’s terribly elegant, isn’t it? Editor: Terribly elegant indeed! This woodblock print, "Woman with a hat walking under a tree," created around 1782 by Torii Kiyonaga, now resides at the Minneapolis Institute of Art. Its an evocative example of ukiyo-e art, blending ink and color to capture a fleeting moment. Curator: Ukiyo-e, "pictures of the floating world," eh? Floating is exactly how she feels! Her stance suggests a delicate balance, both physically and perhaps metaphorically, caught between worlds. Tell me more about what we know of women in that society then? Editor: The print style of this time often focused on the beauty and fashionable life of courtesans and women from the merchant class. They reflect a unique historical context where women’s roles were both circumscribed and, in some ways, celebrated within the confines of art and culture. Here the print aestheticizes female subjectivity. Curator: The polka dot motif of her kimono looks very modern but she’s no contemporary lady! Her poised bearing gives the sense she knows exactly who she is, you can see the strength of will in her posture, while the fan obscures her face, veiling her intent. Editor: Exactly. Think about it like this: the woman and her world here in Japan are portrayed in ways accessible to a Western male gaze hungry for an ‘authentic’ and consumable image, and often through art historical framings as ‘Orientalism’, so she also becomes an object. Curator: So the artist captures not only an image of fleeting beauty but something of how society regards women—their value, their constraints. Yet she strides forth. Editor: And even though ukiyo-e may have depicted scenes of leisure, beauty, or transient pleasure, there’s also always the undertow, right? The deeper currents of societal expectations, economic realities. Curator: Absolutely, it’s a beautiful example of an image layered with contradiction and visual wit. So, the secret whispers on…

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