Revue de la Mode, Gazette de la Famille, dimanche 28 février 1886, 15e Année, No. 739 : Etoffes de la M.on Le Houssel (...) by A. Chaillot

Revue de la Mode, Gazette de la Famille, dimanche 28 février 1886, 15e Année, No. 739 : Etoffes de la M.on Le Houssel (...) 1886

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Dimensions height 375 mm, width 268 mm

Editor: This is an 1886 print by A. Chaillot, a page from "Revue de la Mode, Gazette de la Famille". It’s a watercolor illustration of two women modeling dresses. I find it fascinating how much detail they put into fashion plates like this. What do you see in this piece, beyond the pretty dresses? Curator: Beyond the fashion itself, it's a window into the construction of femininity and social roles in late 19th-century France. Fashion plates like this weren’t just about showcasing clothing; they were tools used to teach women how to perform their gender and status correctly. How do you think publications like these contributed to the social norms of the time? Editor: That makes sense. I suppose these plates helped define what was considered beautiful and proper, and it must have put pressure on women to conform. Almost like a very early form of targeted advertising! Curator: Precisely. It created a visual standard of excellence while creating desires around their own perceived “lack." The delicate colours and emphasis on specific silhouettes aren’t simply aesthetically pleasing; they’re part of a visual language that communicates aspirations and enforces specific social expectations. Did publications of this era support or subvert artistic convention, or both? Editor: That’s a good point. I hadn’t thought of the print as such a powerful tool. It’s like, this seemingly harmless image actually reflects much deeper social expectations for women during the time. Curator: Absolutely. Art always exists within a cultural context, shaping and shaped by it. Even something as seemingly simple as a fashion plate reveals the complex interplay between art, commerce, and social power. Editor: I see that so clearly now. I’ll never look at a fashion illustration the same way again. Curator: Indeed, this piece, beyond its delicate aesthetics, offers an acute social commentary if we chose to explore and listen.

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