Initial D c. 1932

Editor: Today we're looking at M.C. Escher's "Initial D," a print from around 1932. The strong lines create a very graphic, almost architectural feel. I am interested by the D form framing the subject. What’s your take on this piece? Curator: Well, for me, "Initial D" isn't just about a letter, it is a whole universe captured in stark black and white. It reminds me of a secret code, a personal signature transformed into a public artwork. See how the lines vibrate, creating a sense of depth, almost tricking the eye? It's Escher playing with perspective long before his mind-bending tessellations. Editor: I see what you mean. It's definitely more dynamic than a simple initial. Is that a pot of tea depicted inside the "D"? Curator: It certainly appears to be! And notice the steam curling upwards? Those organic wisps are a beautiful contrast to the rigid, geometric "D". It is like Escher saying, "Even within structure, there is room for the spontaneous, the emotional, the very human". Do you think there is some irony that Initial D also might resemble digital data? Editor: Oh, that’s a very modern take on it. Curator: In those parallel lines, there is much that you see if you think about our obsession with control over what we think and do! I find the print eerily compelling. Almost frightening! What would you say, is the object trapped by that "D", or liberated by it? Editor: Hmm, I hadn't considered that. Maybe it’s a bit of both, a defined identity and a feeling of being trapped. Thanks; you have given me much to ponder. Curator: The best art always does, doesn’t it?