Mercure (tile draft) 

Hans Thoma’s “Mercure (tile draft)” offers a glimpse into the artist's creative process. Born in Germany during a time of significant social and political change, Thoma navigated the rise of nationalism and industrialization, finding inspiration in both classical and folk traditions. This sketch hints at the complexities of representing identity through classical figures. Here, Mercury, the Roman messenger god known for speed and commerce, is depicted in a raw, unfinished form. Thoma’s choice to portray a classical subject could be seen as a nod to traditional artistic values, yet the sketchiness of the lines suggests a desire to break from the rigid conventions of academic art. Consider the figure’s ambiguous form and the broader implications of cultural exchange and communication. The ships in the background hint at the era’s expansion of global trade, and the emotional ambivalence may be influenced by Thoma’s personal experiences and worldview, as well as how these classical figures reflect or refract societal issues and personal dimensions.