Portret van Hubrecht van der Eynden by Lucas Vorsterman I

Portret van Hubrecht van der Eynden 1645 - 1646

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print, engraving

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portrait

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baroque

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print

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portrait reference

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portrait drawing

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engraving

Dimensions height 226 mm, width 155 mm

Curator: I'm immediately drawn to the sense of contained energy here. There's a stillness, yes, but also a powerful impression of suppressed vigor about to burst forth. Editor: Indeed. This engraving by Lucas Vorsterman I, created around 1645 or 1646, presents us with a likeness of Hubrecht van der Eynden. You can currently find this impressive portrait held within the collection of the Rijksmuseum. As a print, it’s interesting to consider the image's accessibility. Curator: Accessibility is key. This wasn't just a portrait for the family, it's a statement to a broader public. Consider the baroque style; it's meant to impress, to convey status and dynamism. But looking at the symbolism, I find myself thinking of the mantle and the prominent lace collar as almost a theatrical costume of respectability and success. It's fascinating. Editor: The lace, especially, acts almost like a halo framing his face. I find that interesting, given that it has no overt religious context but is instead presenting an almost divine interpretation of status and intelligence. We can be pretty sure that Vorsterman wanted viewers to take notice of Van der Eynden's qualities as an ideal. Curator: I think that hits on such an important point. This image has to have reinforced or perhaps even crafted van der Eynden’s public persona and cemented his position within society. What's your reading of the positioning? Editor: I read his turning gaze as thoughtful detachment and awareness. His eyes point outside the boundaries of the image but they remain shrewd and calculating. The controlled, subtle emotion captured in the eyes and lips speaks to a sophisticated intelligence. A figure very conscious of his influence. Curator: Looking at the level of detail that printmaking enables and provides, it’s possible that we’re meant to see layers in him as we perceive individual cuts in the copper. Editor: Exactly. After considering this image together, I think my initial sense of his energy, both hidden and poised for release, has solidified. I find the portrait captivating, offering a glimpse into a figure who, through strategic artistry, was determined to be seen, understood, and remembered in a very specific light. Curator: For me, thinking about its function beyond pure aesthetics truly allows an artwork like this to live again and tell a vibrant and valuable story.

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