Landschap met vissers by Jean Pesne

Landschap met vissers 1666 - 1695

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print, etching

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baroque

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print

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etching

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landscape

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line

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history-painting

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realism

Dimensions height 256 mm, width 412 mm

Editor: This etching, “Landschap met vissers” by Jean Pesne, was created sometime between 1666 and 1695. It has a very delicate, almost dreamlike quality. With the stark contrast, you can almost feel the sunlight hitting the landscape. What do you see in this piece, especially given the historical context? Curator: What strikes me is how this seemingly straightforward landscape can be read as a commentary on land use and power structures of the period. We have these monumental mountains in the background, juxtaposed with these small figures, fishing, or simply existing within the space. It forces us to confront the relationship between nature's grandeur and human presence. What was the role of the fishing industry at this time, how did it impact working class communities? And what power dynamics were at play in the development and ownership of this landscape? Editor: That's interesting, I hadn’t considered the power dynamics. I just saw it as a pretty landscape. So, the fishermen represent something beyond just, well, fishermen? Curator: Exactly. Consider who had access to resources, who benefited from them, and how that impacted the social fabric. Think about the historical moment: Who were the patrons of art? How did their wealth and position influence the creation and reception of landscape imagery? Who is this landscape REALLY for? Editor: So, you're suggesting the print might be more than just a scene; it could be a subtle commentary on social hierarchies? Curator: Precisely! This print isn't merely representational. It could reflect, consciously or unconsciously, the artist's awareness of class, access, and perhaps even the looming tensions related to resource control. It is also essential to question whose narratives and voices were amplified and whose were suppressed through depictions such as this. Editor: I hadn't thought of it that way at all. Now I see the print as a space ripe with questions of social justice. Thanks, this has definitely broadened my perspective! Curator: Absolutely! Keep questioning, keep digging, that is the most important skill you can develop!

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