Letter P c. 16th century

Curator: This is an intriguing woodcut initial, titled "Letter P," by an anonymous artist, part of the Harvard Art Museums collection. Editor: It feels archaic, almost severe, with that stark black-and-white contrast. The face within the letter seems burdened. Curator: These initial letters often appeared at the start of chapters in early printed books, showcasing the artistry even within utilitarian texts. This one contains an old man, encircled by foliage. Editor: I'm drawn to the technique, the way the wood was carved to create such fine lines and textures. Imagine the skill involved, the repetitive labor, the pressure on the block. Curator: It speaks to a time when the church and wealthy patrons controlled textual production, embedding their values in every aspect of the book. Editor: Thinking about it, maybe that burdened look isn't just weariness, but a silent protest pressed into service, block by block. Curator: A powerful observation, it makes me see the work in a new light. Editor: Exactly, it’s amazing how seeing the means of production can reshape our interpretation.