Zephyrus en Flora 1675 - 1727

Claude Duflos created this print, "Zephyrus en Flora", in France during the late 17th or early 18th century. Its allegorical scene depicts Zephyrus, the god of the west wind, crowning Flora, the goddess of flowers and spring, with a garland. An institution such as the French Royal Academy shaped the production and reception of this artwork. The print's visual codes reference classical mythology, reflecting the cultural tastes of the French court and aristocracy during this time. The emphasis on idealized beauty and pastoral themes aligns with the conservative artistic values promoted by the Academy. Note also the inclusion of Cupid, the god of love, who hovers in the background. Understanding this print requires knowledge of the social and institutional context in which it was made. Scholars consult period texts, such as the writings of critics and art theorists, to better understand the role of the French Royal Academy in promoting certain styles and subjects. Ultimately, this work is a reminder that art's meaning is always contingent on social and institutional forces.