Art Theory Text with Sketch 1950

Curator: Here we have Stuart Davis's "Art Theory Text with Sketch," a handwritten page offering insight into his artistic philosophy. It's undated, but likely from the mid-20th century. The Harvard Art Museums hold this piece. What's your initial impression? Editor: It feels… intense. Almost like a manifesto scribbled down in a fit of inspiration. I'm drawn to the star doodle, it's like a little burst of optimism amidst all the intense philosophical musings. Curator: Davis was deeply invested in the idea of objectivity in art, hence his focus on "the observer." The text pushes against conventional notions of "right" and "wrong" in design. That little sketch echoes his own geometric abstractions, doesn't it? Editor: Absolutely. The "X" in the box feels almost confrontational. It’s like he's crossing out preconceived notions. The idea of eliminating "IF" is fascinating—it suggests embracing the present moment, unfiltered perception. Curator: He was striving for a pure visual language, untainted by subjective judgment. This connects with his broader project of capturing the dynamism of modern American life. Editor: I find his quest for pure objectivity quite moving. It's a testament to the power of seeing as a form of understanding. The sketch and text together embody how visual and intellectual thinking intertwine.