Schetsblad met hert, hond en koppen by Johannes Tavenraat

Schetsblad met hert, hond en koppen 1864

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drawing, ink, pencil, pen

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portrait

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drawing

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ink drawing

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narrative-art

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pen sketch

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pencil sketch

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landscape

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figuration

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ink

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pencil

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line

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pen

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academic-art

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realism

Dimensions: height 170 mm, width 141 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Sketch Sheet with Deer, Dog and Heads," an 1864 ink and pencil drawing by Johannes Tavenraat, currently at the Rijksmuseum. It strikes me as a very practical study, like a page from an artist's workbook. What do you see in this piece, beyond the obvious subjects? Curator: Beyond the subject matter, I see a negotiation of material conditions. Notice how Tavenraat utilizes readily available and relatively inexpensive materials—ink and pencil on paper. Consider the economic and social contexts of art production in the mid-19th century; drawings like this facilitated a particular kind of artistic labor, didn't they? A cost effective means of refining technique. Editor: That's an interesting point. So you're saying this isn't just a whimsical doodle but a reflection of the artist's working methods and the economic constraints they were under? Curator: Precisely. Think about the accessibility of drawing as a medium compared to, say, oil painting or sculpture. The drawing allowed a broader section of the population, of varying economic classes, to engage in its consumption or, for our purposes here, production. Notice also how he’s combined studies of animals and figures on a single sheet; is he perhaps referencing academic traditions but democratizing the process? How do these varied subjects then become commodities for learning? Editor: I never thought about it like that, it's almost like he is mass producing studies to practice multiple techniques. It changes how I see it – less about artistry, and more about accessible artistic craftsmanship. Curator: Exactly. It shifts the focus away from some nebulous "artistic genius" towards the material realities and labor practices that underpin artistic creation. It makes you consider the social reach of such works, no? Editor: Definitely. I'm much more aware now of how the materials and methods shape the piece's meaning. Curator: And I am also reconsidering my viewpoint of “sketches” such as these, where commodification plays a bigger part than artistic expression alone.

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