This is an undated photographic reproduction of a print, made after Michelangelo’s fresco depicting the Creation of Adam in the Sistine Chapel. The original fresco, completed in the early 16th century, was part of a vast program of renovations within the Vatican, solidifying the Church’s cultural power in Rome. Michelangelo's scene is a potent statement of Humanist belief, showing God giving the spark of life to Adam, the first man. However, this image is not the original but a reproduction, and it is important to remember that the proliferation of these images speaks to the cultural impact of the Sistine Chapel, and the Papacy, throughout Europe. To understand the social and political power of the Church at this time, scholars might consult records of Papal patronage, architectural plans of the Vatican, and contemporary religious treatises. Approaching art history through institutional analysis allows us to view artworks as players within broader fields of power.