George Packer Berry (1898-1986) 1965 - 1966

Editor: Here we have Peter Pezzati's portrait of George Packer Berry. It's an oil painting, fairly large, and Berry is depicted in academic regalia. It gives a sense of institutional power. What's your take on this, considering its role in the University? Curator: Portraits like these often serve to legitimize and perpetuate the values of an institution. Note the symbolism of the robe, the book, and the carefully curated backdrop. How do you think this image functions within the context of Harvard's history and its self-image? Editor: I see it as reinforcing tradition and authority, but is it also a reflection of who gets remembered and celebrated by the University? Curator: Precisely. The choice of subject, the artist, and the style all contribute to a narrative about power and legacy. Considering that, how does this portrait invite viewers to perceive Harvard and its figures? Editor: I hadn't thought about it that way. It definitely makes me consider the portrait's place in shaping institutional memory. Curator: Indeed. It highlights the intersection of art, power, and historical narrative within academic institutions.