Bijbelverzen by Marie Jordan

Bijbelverzen 1906 - 1948

drawing, textile, paper, ink, pen

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drawing

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aged paper

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hand written

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hand-lettering

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hand drawn type

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hand lettering

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textile

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paper

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ink

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hand-written

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hand-drawn typeface

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fading type

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pen work

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pen

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calligraphy

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small lettering

Editor: Here we have "Bijbelverzen," or "Bible Verses," dating from 1906 to 1948, created by Marie Jordan. It seems to be a page filled with meticulously hand-written text. There’s something very intimate and contemplative about it. How do you interpret this work? Curator: This piece whispers of faith held close, doesn't it? Consider the act of hand-lettering itself. Each carefully inscribed word becomes a devotional act, embedding the verses into the maker's memory and spirit. Think of medieval monks illuminating manuscripts; this carries a similar sense of reverence. Editor: So, the act of writing is almost as important as the text itself? Curator: Precisely. The repetition and focused concentration required would have created a profound connection with the text. We see phrases about enduring hardship and waiting for the Lord. This could tell us a lot about Marie Jordan’s life and her relationship to these biblical passages. Do any particular phrases jump out at you? Editor: I notice the references to enduring suffering and weakness. Also, the repeated word 'Als' suggests a listing of conditions or situations. It feels very personal and reflective. Curator: Exactly. This points to a possible cultural context: a period of hardship, perhaps, where these verses offered solace and guidance. It’s a record of deeply personal faith, expressed through a beautiful, repetitive act. How does understanding the cultural context impact your interpretation of it? Editor: It gives it a new layer. It’s not just about beautiful handwriting; it’s about personal meaning and historical moment. Curator: Yes. The simple materials, ink on paper, heighten the sense of vulnerability and authenticity, like a private conversation shared across time. Editor: I see it so differently now, as a cultural and personal document rather than just an exercise in calligraphy.

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