Towels 1998

Editor: Avigdor Arikha's "Towels," painted in 1998 using gouache, presents a rather intimate scene. It’s making me consider the beauty that can be found in the everyday, in the objects we often overlook. What stands out to you in terms of Arikha's artistic approach in this particular work? Curator: Formally, I note Arikha's acute attention to the play of light across the surfaces. See how the gouache allows for a certain flatness, emphasizing the abstract shapes created by the towels and the metallic structure of the rack. The composition is intriguing: the off-center arrangement creates a dynamic tension. Note also how Arikha explores the inherent properties of the gouache, achieving varying degrees of opacity and luminosity. How does the application of gouache contribute to the work’s overall effect? Editor: I see what you mean. The flatness almost makes it feel more like a study of form and color than just a simple depiction of towels. The electric cord also adds an element of harsh reality to the composition. Is the stark lighting essential to our perception of this effect? Curator: Precisely. The electric cord acts as a crucial line, anchoring the composition and disrupting any illusion of depth. In terms of light, it casts specific shadows that accentuate the volumes while paradoxically flattening the image. Consider how these simple forms articulate a complex spatial relationship, don't you agree? Editor: Yes, that is so helpful in how I can read form and surface within such seemingly simplistic objects. This was very enlightening, thank you! Curator: A pleasure. The inherent power of a still life such as this lies precisely in how effectively it encourages an exercise of acute and prolonged optical awareness, don’t you think?