Sluitvignet met stierenkop by Gerrit Willem Dijsselhof

Sluitvignet met stierenkop 1893

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drawing, graphic-art, paper, ink

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drawing

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graphic-art

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art-nouveau

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figuration

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paper

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form

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ink

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line

Dimensions height 37 mm, width 44 mm

Editor: This is Gerrit Willem Dijsselhof's "Sluitvignet met stierenkop" from 1893, made with ink on paper. It’s a very small, stylized drawing of a bull’s head. I’m curious about the symbolism here, beyond just the image of a bull. What do you see in this piece? Curator: This artwork exists within the exciting context of the late 19th century, a period grappling with rapid industrialization and shifting social norms. How does this seemingly simple image of a bull’s head, rendered in the Art Nouveau style, speak to these tensions? The bull, a traditional symbol of virility and power, is here reinterpreted through the lens of artistic innovation, becoming something more ornamental and refined. Editor: So, it’s a play on traditional masculinity, made more delicate? Curator: Precisely. Consider the rise of the "New Woman" at this time, challenging conventional gender roles. Could Dijsselhof be subtly questioning the established order by presenting a softened, stylized version of this traditionally masculine symbol? It would have resonated with discourse about evolving societal roles and power dynamics. The decorative style almost domesticates the image of the bull. Editor: That makes me wonder about the intended audience and purpose of this piece. Was it meant to be provocative? Curator: Perhaps not overtly, but art of this period often served as a reflection, and sometimes a subtle critique, of contemporary life. The Arts and Crafts movement was burgeoning at the time. Can we see a link between these refined images of nature as escapism from the ugliness of industrialisation? Does art's new role as a form of individual expression become relevant? Editor: I never would have considered that without knowing the context. I had thought of the Art Nouveau aspects, but not about gender or the role of art in society. Curator: It’s all interconnected. By considering the historical, social, and philosophical currents, we can appreciate how even a small drawing like this holds layers of meaning. Editor: This piece feels richer now. Thanks!

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