Doll c. 1936

This watercolor, made by Du Bois sometime between 1775 and 1875, depicts a doll, and I find it pretty charming, with its emphasis on process. The thin, watery paint application lets the underdrawing peek through, giving the piece a kind of vulnerability. I love how Du Bois uses these translucent layers to build up the form and texture of the doll's dress. The color palette is mostly browns and creams, with little touches of blue that create a sweet, innocent feel. Look at the way the paint pools and settles in the folds of the fabric. It's as if you can feel the artist's hand moving across the paper, responding to the subtle nuances of the subject. I see echoes of folk art in the simplified forms and the unpretentious approach. It's like Du Bois is having a conversation with the history of painting, but in their own, quiet way. It reminds me a little of the work of Bill Traylor, in its directness. Ultimately, this doll is an invitation to see the world through fresh eyes.