Narcissus poeticus (pinselilje); Narcissus triandrus (orkide-narcis); Narcissus ×medioluteus (toblomstret narcis) 1649 - 1659

Hans Simon Holtzbecker made this botanical study of narcissi with watercolor on paper sometime in the mid-17th century. Holtzbecker rendered these flowers with precise observation. He mixed his paints to mimic the subtle variations in color found in nature. He delicately brushed the thin washes of pigment onto the page, building up layers to create depth and form. Note how the fine lines of the veins in the leaves and petals are captured. Works like this reflect the growing importance of scientific classification during the period, but also the sheer delight in nature. In a sense, Holtzbecker’s approach is one of admiration. He’s not just documenting, he’s celebrating the beauty of these botanical specimens. Ultimately, by looking closely at Holtzbecker's technique, we gain insight into the artist's perception and the cultural values of his time, and consider how such works fit into a broader history of both scientific illustration and fine art.