Ruth Ellis, no. 1 1993

Curator: Nancy Andrews created this potent photographic print titled "Ruth Ellis, no. 1" in 1993. What's your first impression? Editor: Viscerally, I’m struck by the textural contrast – the almost brutal detail in the skin juxtaposed with the softness of the hair. The high contrast black and white palette certainly amplifies that. Curator: The title is arresting, given Ruth Ellis' infamous history. The photo seems to invite reflection on aging and mortality. Editor: Yes, it's undeniably a powerful image in itself. The composition, though off-center, keeps your focus intensely on her face, on that intersection of time and lived experience etched onto her skin. Her hand— such a significant gesture. Curator: I see it as Andrews positioning Ellis as an iconic figure, her identity now layered with the weight of her history and social narrative. Andrews had an interest in portraying subjects from the margins. Editor: Certainly. And I notice that the light appears quite directional, perhaps intentional. What social statements was Andrews pursuing through a black and white photography with this strong emphasis on realism? Curator: Black and white can add gravitas to any photographic portrait, emphasizing the universal and timeless aspects of human existence. Considering her other subjects at the time, Andrews seemed preoccupied with highlighting overlooked segments of society. The work is not simply a portrait, but a socio-historical statement. Editor: Absolutely, a poignant interplay of light, shadow, and form. But if we examine how the sharp contrasts frame the features... that too contributes to its potent, affecting aesthetic. It really showcases the expressive possibilities of the medium. Curator: And perhaps asks us to consider how our views are influenced by the artistic lens, social positioning and personal history. A very evocative, and deeply complicated piece. Editor: It has definitely provided fertile ground for exploration, showing us different yet interlocking readings around a deceptively simple portrait.