Miss Niglo, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Miss Niglo, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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albumen-print, print, photography, albumen-print

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albumen-print

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portrait

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print

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figuration

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photography

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albumen-print

Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Curator: This albumen print, dating back to 1890, offers us a glimpse into the world of late 19th-century celebrity. The piece, "Miss Niglo, from the Actresses series (N245)", comes to us via the Kinney Brothers Tobacco Company as a promotional card. Editor: It has a sort of ephemeral elegance about it. Seeing the profile, you immediately get the feeling she's carefully cultivated the pose and the soft lighting adds to a certain ideal. The "actress" identity definitely lends itself to ideas of constructed personas and early forms of mass media's impact on identity. Curator: That’s interesting, and certainly a product of its time! These actress cards served a distinct purpose, primarily for marketing Sweet Caporal Cigarettes, but they tapped into a wider obsession with actresses, solidifying these performers' status as icons and representations of contemporary beauty standards. Editor: It also reflects a specific kind of image economy. The distribution via cigarette brands highlights the entanglement of commercial interests with idealized images of women and gender roles in the entertainment industry. This kind of proto-celebrity feels very… packaged. Curator: Indeed. Furthermore, these albumen prints also showcase Japonisme, that infatuation with Japanese art and aesthetics. Look at the profile view. There’s a distinct visual connection to traditional Japanese prints. Even in this commercially driven work, that cultural current finds its way through. Editor: Yes! And recognizing that influence offers another way to look critically at how images circulate and transform. There are inherent issues of cultural appropriation when examining how different forms and iconographies were understood and transformed when put to a specific kind of promotional, consumerist use. It definitely puts into perspective ideas of authenticity and representation during this period. Curator: Absolutely. We’re left to wonder, aren't we, what Miss Niglo herself thought of this role and image? It's a tantalizing question for understanding celebrity culture. Editor: And understanding the cultural machine she, even unwillingly perhaps, played a part in.

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