Toothpicks and Their Cover by Ryūryūkyo Shinsai

Toothpicks and Their Cover 19th century

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print, woodblock-print

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aged paper

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toned paper

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light pencil work

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print

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asian-art

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sketch book

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ukiyo-e

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japan

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personal sketchbook

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woodblock-print

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sketchbook drawing

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watercolour bleed

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watercolour illustration

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sketchbook art

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watercolor

Dimensions 5 1/2 x 7 7/16 in. (14 x 18.9 cm)

Curator: Ryūryūkyo Shinsai's 19th-century woodblock print, "Toothpicks and Their Cover," now residing at the Met, offers a delightful peek into the ephemera of everyday life. What’s your initial feeling about this small print? Editor: A quiet elegance. It has this hushed, intimate quality—like stumbling upon someone's carefully curated desktop or workspace. Curator: Indeed. Shinsai, a master of the Ukiyo-e style, here departs from the typical focus on grand landscapes or kabuki actors. Instead, he trains his eye on something altogether more quotidian, creating this personal sketchbook-style artwork. Editor: The composition is particularly striking. These various small boxes, papers and personal belongings are organized seemingly at random across the aged and toned paper. The light pencil work in the drawing is remarkable. Curator: I am particularly intrigued by the text accompanying these objects. These aren’t just still-life items, they're carriers of poems and thoughts, inviting us to imagine the hands that held them, the lives they touched. Editor: Precisely. Notice the watercolour bleed enhancing certain sections, adding both depth and delicacy. It elevates a seemingly mundane subject to something rather special. The items depicted aren’t rendered merely realistically, but artistically reinterpreted. Curator: Right! And let's not forget Shinsai's context—the Edo period—when such prints were widely circulated and valued for their ability to capture transient beauty and ephemeral moments. Editor: Knowing this background enhances my appreciation, it's not only a formal exercise but it encapsulates broader themes surrounding memory and identity within 19th-century Japan. This sketchbook offers the perfect view to this topic. Curator: So, leaving this image behind, I realize that these scattered toothpicks aren’t mere disposable objects; Shinsai elevates them into poignant reminders of artistry and the poetry woven into daily living. Editor: Absolutely! Looking at Shinsai's artwork, it reveals how everyday scenes hold extraordinary artistry; and I'm looking differently at the contents of my own desktop right now!

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