Side chair 1879 - 1882

Editor: This is the "Side chair" created by Herter Brothers between 1879 and 1882, currently residing at the Metropolitan Museum of Art. It's crafted from wood, brass and what looks like gold leaf. It strikes me as incredibly ornate, almost decadent. What compositional elements stand out to you? Curator: The first aspect that captures my attention is the pronounced verticality juxtaposed with the contained forms of the seat and back. Note how the gilded foliage, both on the seat and the backrest, interacts with the rectilinear structure. It appears deliberately disruptive, challenging our perception of form and function. Do you see how the brass fittings provide a contrasting element? Editor: Yes, the cool metallic accents definitely add another layer of texture and visual interest, grounding the piece a little. It's a beautiful object, but how do you feel the Arts and Crafts movement influenced this chair? Curator: Precisely. And in response to your query, consider the movement's ethos. Although seemingly opulent, the emphasis on craftsmanship is evident. Look at the joinery, the detailed carvings - the chair showcases a profound understanding of materials. We should be mindful not to misinterpret the emphasis on beauty as mere embellishment. How might we reconcile its aesthetic refinement with functional utility? Editor: It's like they are elevating the everyday. While functional, every surface is considered, turning it into an artwork in itself. So it moves beyond just function. Curator: An excellent point. The chair epitomizes a moment when the decorative arts aspired to the status of ‘high’ art, thereby creating meaning that far exceeded utility. Editor: Thank you, I never thought I could analyze furniture in so much depth. Curator: My pleasure; reflecting on art always enriches understanding.