Haughty Prussians with machine-guns captured by "Old Contemptibles" in our advance at Pozieres by Realistic Travels

Haughty Prussians with machine-guns captured by "Old Contemptibles" in our advance at Pozieres 1916 - 1918

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photography, gelatin-silver-print

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portrait

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war

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landscape

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street-photography

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photography

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gelatin-silver-print

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history-painting

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realism

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monochrome

Dimensions height 85 mm, width 170 mm

Curator: Well, this gelatin silver print titled "Haughty Prussians with machine-guns captured by 'Old Contemptibles' in our advance at Pozieres," dates from the brutal years of 1916-1918. Quite the loaded title. Editor: Yes, it is! And it hits you immediately. This grayscale procession has a certain stoicism about it. The land looks unforgiving, the men look worn but resolute. Curator: It’s a staged shot of war, that much is clear from the theatrical title. This photograph tries to celebrate the capturing of enemy combatants, a staged patriotic memento more than raw documentation. How do you feel it reflects broader social narratives? Editor: The 'Old Contemptibles,' right? A loaded term, hinting at the supposed disdain Kaiser Wilhelm had for the British Expeditionary Force. And yet, here they are, presenting their captured "haughty Prussians." I see a powerful propaganda image intended to stir patriotic feelings, to show supposed dominance. What gets me is how it conceals the grim realities of trench warfare behind a controlled, almost clean, depiction of conquest. The focus on a few Prussians conveniently omits the sea of nameless corpses that defined battles such as Pozieres. It lacks truth, if you catch my drift. Curator: Exactly, its intent skews any possibility of truth. It tries to build this narrative of brave heroes against haughty villains but misses that essential point of war's tragedy – there truly aren't any winners here, only devastation. Also, it’s an oversimplified tale that fails to encompass how the "captured" soldiers were also pawns. This photograph acts as a smokescreen for the complicated mess. Editor: Agreed! It speaks volumes about power dynamics of the time and of today: How nations use propaganda and manipulated narratives. This romanticized version served to rally people. Curator: Right, a sanitized narrative made to sell sacrifice with no glance at what truly came with war. Still relevant in so many global circumstances today, wouldn't you say? Editor: Sadly, more than ever. Understanding these images help reveal uncomfortable and necessary lessons about what happens if we don't reflect.

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