Het inzetten van het aardewerk in de oven van De Sphinx te Maastricht by Herman Heijenbrock

Het inzetten van het aardewerk in de oven van De Sphinx te Maastricht 1881 - 1948

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tempera, painting, impasto

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tempera

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pottery

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painting

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impasto

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underpainting

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painting painterly

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genre-painting

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watercolor

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realism

Dimensions: height 475 mm, width 631 mm

Copyright: Rijks Museum: Open Domain

Herman Heijenbrock captured this image of workers loading pottery into the ovens at De Sphinx in Maastricht, though we can’t know in precisely which year it was made. The workers are anonymous here, but the image offers a glimpse into the industrial labor of the Netherlands. Heijenbrock's choice of subject matter, the depiction of labor and industry, reflects the growing social consciousness in art during the late 19th and early 20th centuries. The scene does not shy away from portraying the sometimes harsh conditions of industrial work, with its dimly lit and crowded workspace. The workers, though busy, are not romanticized, and the focus is on the collective effort of the labor. Studying archival documents from De Sphinx and labor records from the period could provide insight into the workers' lives and the socio-economic conditions that shaped their experiences. The image reminds us that artistic interpretation is deeply entwined with historical context.

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