Untitled 

This untitled painting was created by Wu Guanzhong around the year 2000, likely using traditional Chinese ink and color on paper. The painting utilizes a method called boneless painting, characterized by the direct application of color without relying on outlines. You can see that the black ink of the branches creates the structure of the painting, with the leaves appearing as floating color blots. The choice of ink and paper reflects a deep connection to Chinese artistic heritage, requiring a mastery of brushstroke and an understanding of how the ink will interact with the absorbent paper. The marks may seem spontaneous, but are highly controlled. Guanzhong’s abstraction isn't just about the surface appearance; it's about the labor, skill, and cultural values embedded in the materials and techniques. The image may seem spontaneous but represents countless hours of practice. This reflects the artist’s commitment to his craft and his desire to connect with a rich artistic legacy.