Return of the Falconer 1637

Simon de Vlieger’s “Return of the Falconer” was painted with oils on a wood panel. De Vlieger's mastery lies in the way he coaxes out the inherent qualities of his chosen materials. Here, earthy pigments are built up in layers to simulate the rough texture of stone and the softness of fur. You can see the effects of the brushstrokes, applied with varying pressure and direction to create the illusion of depth and form. Consider the weight of each element in the composition: the solid mass of the crumbling structure, the muscular frame of the horse, the playful energy of the dogs. Oil paint has been used for centuries, but De Vlieger’s skilled application elevates it beyond mere representation. This work speaks to the social context of 17th-century Dutch society, where falconry was a pastime of the wealthy. The amount of work involved in breeding, training, and maintaining these animals was considerable, reflecting the power dynamics of the time. It reminds us that materials, making, and context are vital to understanding an artwork's meaning.