Zittende vrouw met een bril by Carel Adolph Lion Cachet

Zittende vrouw met een bril c. 1930

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drawing, paper, ink

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portrait

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drawing

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comic strip sketch

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pen sketch

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figuration

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paper

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personal sketchbook

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ink

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idea generation sketch

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sketchwork

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ink drawing experimentation

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pen-ink sketch

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line

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sketchbook drawing

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storyboard and sketchbook work

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initial sketch

Curator: Immediately, this reminds me of awkward family gatherings! All this stifled energy packed together. Editor: Well, that's one way to put it. What we're looking at here is Carel Adolph Lion Cachet's "Zittende vrouw met een bril," or "Seated Woman with Glasses," created around 1930. It’s currently held at the Rijksmuseum and it appears to be ink on paper. Curator: Ink on paper, yes, but those nervous, almost frantic lines. The artist seems to be really wrestling with something, don’t you think? Editor: I'd agree there's a palpable tension. Cachet was working during a time of great social and political upheaval. I see in this work a kind of… vulnerability, the fragility of the individual caught in larger historical currents. The way the woman is sketched with quick strokes suggests a discomfort with being observed, perhaps? Curator: Or observing. Her glasses seem to amplify, to make her an unwilling participant, a spectator, almost as if she can see too clearly. This idea of unwanted seeing, this unwanted awareness… it’s all there. The way these figures barely inhabit their lines. Editor: Absolutely, her position at that moment suggests something important about visibility and gender. The lack of adornment in the portrait also resonates with Cachet's aesthetic values of simplicity and integrity of material during the Dutch Modernism period. There’s a clear sense of the everyday, elevated through the artistic gesture of observing. Curator: It’s funny; I see “integrity” but I also sense a yearning to break free, almost to erase, escape! The way the lines trail off hints at options, at exits. A quiet rebellion bubbling beneath the surface. I suppose we always bring our own anxieties and aspirations when facing these things. Editor: Perhaps that is the beauty of art. The conversations they bring us into. This seemingly simple sketch holds more emotion, social context, and artistic skill than one might think at first glance. Curator: Indeed, like any good poem, it resonates long after you’ve left the page.

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