Reproductie van een tekening, voorstellende Dorothea kust de hand van de vader van Hermann by Anonymous

Reproductie van een tekening, voorstellende Dorothea kust de hand van de vader van Hermann before 1885

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print, engraving

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portrait

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narrative-art

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print

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genre-painting

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history-painting

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engraving

Dimensions: height 165 mm, width 124 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving from before 1885 is called "Reproductie van een tekening, voorstellende Dorothea kust de hand van de vader van Hermann"– quite a mouthful! We’re unsure of the artist, but the work resides here at the Rijksmuseum. What strikes you initially about this scene? Editor: My goodness, it feels staged, doesn't it? All eyes, save for the seated woman, are focused on this young woman kissing the hand of an older gentleman. It’s a bit… intense. Curator: The intensity, I think, comes from the implied narrative. We see a young woman, Dorothea, in what seems like a gesture of respect, or perhaps even supplication, toward the father of Hermann. What that relationship is, we are invited to imagine through symbolic gestures and compositional tension. Editor: Right. The hand-kissing ritual – what is that *really* about? Power, humility? The central group is almost a frieze, aren't they? Everyone clustered together except the lone woman on the rocking chair. It seems full of narrative-art conventions and hints, inviting us to speculate about class and morality. Curator: Precisely. The composition seems to be saying something about roles and relationships in the family unit. We might read Dorothea’s lowered gaze, her physical placement slightly apart from the other family members as an indication of her status. Consider the framing created by the surrounding figures; Dorothea and Hermann's father are the central figures in a stage drama. Editor: What about the seemingly casual items like the umbrella? Do they symbolize anything beyond just representing the era? Curator: Objects such as the umbrella may offer social or domestic context, situating us within a specific era of bourgeois domesticity. But sometimes, a cigar is just a cigar, and an umbrella is there to keep you dry! The work invites us to construct our own narratives of familial duty. Editor: It certainly makes you think about how much these types of familial social rituals still hold some form of influence today! Curator: They absolutely do! Seeing this image today invites contemplation about what has changed – and what really hasn't. The stage, actors, and underlying currents stay, don’t they?

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