Old Doorway, Venice 1877

Editor: This watercolor, "Old Doorway, Venice" by Charles Herbert, feels strangely intimate despite its subject. What historical context can you offer? Curator: Consider the representation of Venice itself. Throughout the 19th century, Venice became a symbol of faded glory, attracting artists seeking picturesque ruins. Herbert's choice reflects this fascination. How does this portrayal reinforce or challenge those romantic notions? Editor: I see the appeal of ruins, but the doorway feels less grand, more mundane. Curator: Precisely. Herbert captures a quieter Venice, focusing on the everyday lives that existed within and around these historical structures. It prompts us to consider whose Venice is being represented and for what audience. Editor: That makes me see it as more than just a pretty picture. Curator: Indeed. It's about questioning the visual narratives surrounding Venice and appreciating the complexities beyond the postcard image.