Staande, naakte vrouw met opgeheven armen by Philippus de Groot

Staande, naakte vrouw met opgeheven armen 1836 - 1931

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drawing, pencil

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pencil drawn

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drawing

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pencil sketch

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figuration

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pencil

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academic-art

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nude

Dimensions height 292 mm, width 95 mm

Philippus de Groot made this etching of a standing, naked woman with raised arms. De Groot was working in the Netherlands during a time of emerging realism in art, where the human form was studied with increasing scientific interest. What strikes me is how this image sits on the cusp between objectification and intimate portrayal. On one hand, the woman is presented nude, inviting the viewer's gaze. Yet, the lack of facial features removes a sense of individuality, turning the figure into a more generalized form. Is this a comment on the societal norms that reduce women to mere bodies, or is it an attempt to explore the universal aspects of the human form? Perhaps it's both. As you look at the woman standing there, arms raised, consider the tension between public display and private experience. How does this work challenge or reinforce prevailing attitudes about gender and the body?

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