"Shaikh San'an beneath the Window of the Christian Maiden", Folio18r  from a Mantiq al-Tayr (Language of the Birds) by Farid al-Din `Attar

"Shaikh San'an beneath the Window of the Christian Maiden", Folio18r from a Mantiq al-Tayr (Language of the Birds) 1575 - 1625

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tempera, painting

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tempera

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painting

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figuration

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islamic-art

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miniature

Dimensions: Painting: H. 2 7/8 in. (7.4 cm) W. 4 1/2 in. (11.4 cm) Page: H. 13 in. (33 cm) W. 8 1/2 in. (21.6 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm)

Copyright: Public Domain

Editor: Here we have “Shaikh San'an beneath the Window of the Christian Maiden,” a tempera miniature from Mantiq al-Tayr (Language of the Birds), created sometime between 1575 and 1625. It's striking how this miniature portrays a kind of cultural encounter, or perhaps a clash. What symbols and hidden meanings are embedded within this work? Curator: It's the yearning across divides that gets to me. The story, as visually rendered here, pulsates with motifs of longing and transformation. The Shaikh, traditionally a figure of Islamic piety, is shown captivated by a Christian maiden. Consider how the architectural elements themselves become symbolic—the window, the doorway—liminal spaces between worlds, beliefs. Notice anything about how the figures interact with the text inscribed above and below? Editor: I see the text framing the scene, but I don't read the language. Are the words part of the symbolism too? Curator: Absolutely. Calligraphy in Islamic art isn't just decorative; it's imbued with sacred meaning. In this case, the text from *Mantiq al-Tayr* amplifies the narrative of spiritual seeking, and tests of faith. This pursuit may lead to a change of perspective. Ask yourself, what societal transformations might be reflected by representing an Islamic scholar enthralled by a Christian woman? Editor: It's interesting to think about how those kinds of shifts could manifest in art, showing desire transcending religious boundaries, which could represent a literal and metaphorical crossing of divides. Curator: Precisely. Now, contemplate the colours. The earthy tones contrasting with the brighter hues of the figures' clothing. Could this juxtaposition be echoing the tension between worldly desires and spiritual commitments? How do these figures connect with their landscape? Editor: I'm seeing the colours as a visual push and pull between earthly and spiritual. Considering how carefully each element appears to be placed, I can better appreciate the layers of significance the painting contains. Curator: Indeed, these symbols speak across centuries. They show us that longing, belief, and transformation continue to shape how we view ourselves and others.

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