Two Persons 1971

Editor: So, this is Dieter Roth’s "Two Persons," an undated etching, part of the Tate collection. It has a somewhat unsettling, fragmented feel to it. What can you tell me about the context in which Roth created this? Curator: Roth was very interested in exploring the boundaries of art. "Two Persons", like much of his work, challenges traditional notions of representation and permanence. What role do you think institutions like Tate play in preserving such ephemeral or unconventional pieces? Editor: That's a great question! Perhaps they validate the artist's experimental approach, legitimizing it for a wider audience. It makes me wonder if Roth even considered how the piece would be received by the public. Curator: Exactly. And this tension - between artistic creation, public perception, and institutional validation - is central to understanding the work's lasting impact. I am happy to see it preserved and studied. Editor: I never considered that before! I will look at art with a new perspective.