Jonge herder met schalmei en oude herder met panfluit by Marcantonio Raimondi

Jonge herder met schalmei en oude herder met panfluit 1510 - 1527

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print, engraving

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print

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landscape

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figuration

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genre-painting

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italian-renaissance

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engraving

Dimensions: height 78 mm, width 54 mm

Copyright: Rijks Museum: Open Domain

Curator: Marcantonio Raimondi's engraving, "Young Shepherd with Shawm and Old Shepherd with Panpipe," created sometime between 1510 and 1527, offers a pastoral scene rendered in intricate detail. It resides here at the Rijksmuseum. Editor: Immediately, the stark contrast strikes me. The younger shepherd's smooth, almost idealized form juxtaposed with the older man's weathered features hints at time’s passage and perhaps the fleeting nature of youthful beauty. Curator: Indeed. This piece participates in a larger narrative concerning the idealization of youth during the Italian Renaissance, linking it to sociopolitical dialogues on class and status. The shepherds' simplicity is a studied performance of pastoral innocence. Editor: The instruments contribute to this feeling, the shawm suggesting an energetic pronouncement while the panpipe's form hints at introspective music and connection to ancient Arcadian traditions. They're potent symbols linking present and past. Curator: Precisely. We must consider the influence of humanist thought, then prominent, which positioned classical ideals against contemporary society. Raimondi cleverly exploits this tension. It asks who is allowed to make that music and who has to live it. Editor: The stark black and white of the engraving adds to that, giving the image a certain mythic feeling, almost as though they were spirits in a land, not only representing life, but our very perception of music itself. It pulls us in. Curator: It prompts critical reflection on the construction of idyllic landscapes and the ways in which art can perpetuate certain fantasies about rural life, fantasies that were far from the reality for most. The past becomes ideological. Editor: Looking at the gnarled tree, its age is shown alongside the musicians, and suddenly the music connects all the natural world: music *is* time passing, marked on every shepherd, every branch. Curator: A powerful point to remember, in that case, about this particular piece. Thank you. Editor: It’s been a pleasure unlocking this small window together.

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