Dimensions: support: 557 x 455 mm
Copyright: © Peter Doig | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Peter Doig's print, approximately 55 by 45 centimeters, is titled "Reflection (What Does Your Soul Look Like?)". Editor: It feels… fractured. The darkness, the seemingly broken surface of the water… unsettling. Curator: Doig, born in 1959, often explores memory and identity in his work. This print, held at the Tate, seems to wrestle with those themes visually. The reflected trees appear distorted, perhaps mirroring an obscured self. Editor: I see a Jungian shadow self here, a dark and mysterious element, hinted at through the symbolic use of water and obscured forms. Are we seeing a glimpse into the unconscious? Curator: Perhaps. This ties into the broader discourse of self-representation, especially considering how the gaze has been historically weaponized against marginalized bodies. Who gets to define "reflection"? Editor: The title itself invites introspection. What is being reflected, and who is doing the looking? Curator: Indeed. It's a loaded question, isn't it? Editor: Definitely food for thought, and a powerful image.
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http://www.tate.org.uk/art/artworks/doig-reflection-what-does-your-soul-look-like-p11544
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Born in Edinburgh and raised in Canada, Peter Doig returned to live and work in the UK in 1979. He is known for his large landscape paintings, shown at the Tate in 1994 when he was shortlisted for the Turner Prize. Doig often bases his work on found images, such as photographs, which he abstracts and personalises to stretch the idea of representation to the limit. Works such as these etchings hover between being abstract marks and recognisable images. The restricted colour, inspired by the snowy landscapes of Canada, adds to the abstract character of the image. Gallery label, August 2004