Dorrit Weixler 1916

Curator: Nicola Perscheid's photographic portrait of Dorrit Weixler, created in 1916, offers a compelling glimpse into the aesthetics of the early 20th century. Editor: Oh, my! It's drenched in shadows and longing, isn’t it? The velvety darkness just swallows her dress, making her almost fade into the backdrop, save for those floral appliques. Curator: Indeed. Perscheid was a key figure in Pictorialism, and this image exemplifies that movement's emphasis on soft focus and painterly effects. He uses monochrome to heighten the texture of fabrics and create a dreamlike atmosphere, which distanced photography from mere mechanical reproduction, instead positioning it as high art. Editor: The flower she holds—it’s like she’s offering a secret. I find the overall feeling is…theatrical! The way she's posed, the way the light caresses her face and that gorgeous gown. You could almost believe she's on stage, waiting for her cue. It gives the portrait this fantastic romantic feeling. It also makes you question what happened with this lady in particular! Curator: Her slightly turned pose and direct gaze implicate her role in the burgeoning film industry and Berlin stage. These portraits aided to promote Dorrit's acting, whilst situating the new entertainment and arts industries in the history of portraiture, claiming artistic merit and recognition in 1910's Europe. Editor: And that knowing little smirk! She definitely knows something. I keep imagining this photograph captured some mischievous secret. Perhaps this work encapsulates not only Pictorialism but some social knowing between her, and Perscheid. Almost winking at us! Curator: I appreciate your insights on the work, thinking of it through this candid and spirited lens is interesting. It truly resonates how portraiture functions as a unique and personal visual expression. Editor: Agreed. It is a lovely way to frame it; as this whispered promise of a world we can only dream of piecing together, here, and now.