Rosina, Capri by John Singer Sargent

Rosina, Capri 1878

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oil-paint

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portrait

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impressionism

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oil-paint

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landscape

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oil painting

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cityscape

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genre-painting

Dimensions 50.16 x 64.77 cm

Curator: Editor: So here we have John Singer Sargent's "Rosina, Capri" from 1878, rendered in oil paint. It has a kind of snapshot feel, capturing a rooftop scene. One woman is playing a tambourine, while another seems to be dancing. What catches your eye about this piece? Curator: Let's consider the materials used. The rough, textured surface suggests Sargent wasn't trying to hide the labor involved in creating this piece. Note how the paint is applied in thick strokes, especially in the walls and figures, showcasing the very act of painting. How might this direct, almost industrial, approach affect our interpretation? Editor: I guess it makes it less about idealized beauty and more about the raw process. Were these quick, informal paintings like this considered finished works, or were they more like studies? Curator: That’s a key point! Thinking materially, were these intended for public consumption, or were they working experiments within the studio? Sargent's landscapes and genre scenes challenge that separation by elevating what might traditionally be dismissed as preliminary sketches to the status of finished artworks. Editor: It almost feels like he's blurring the line between a quick sketch and a carefully finished piece, and also between work and leisure. Curator: Precisely. Consider the location, Capri. It was becoming a popular destination for artists, creating its own cottage industry and demand for particular genre subjects. How does Sargent fit into, or perhaps challenge, this market of the picturesque? Are these laborers being aestheticized for bourgeois consumption? Editor: That’s something I hadn't thought about before – that the act of painting, and the figures he paints, were also part of this cycle of labor and production. It changes my perception of it. Curator: Absolutely! Recognizing the materiality and production reveals a rich cultural narrative woven into the very fabric of the painting. Editor: I'll definitely look at paintings with an eye towards how they were made, and for what purpose. Thanks!

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