Armchair (Fauteuil à la reine) (one of a pair) (part of a set) 1775 - 1790

This "Fauteuil à la reine," or queen's armchair, was crafted by Georges Jacob during the late 18th century. Its structure is defined by a gilded wooden frame, enclosing panels of floral embroidery. The chair presents a study in contrasts: the rigidity of its rectilinear form versus the organic, flowing patterns of the fabric. The carved details and gilded finish speak to the opulence of the era, yet the floral patterns soften the overall effect. The armchair is a signifier of power and status, but the fabric introduces a contrasting note of domesticity and comfort. Consider how the armchair destabilizes our expectations. Is it a functional object or a sculptural form? Does it embody power or comfort? Jacob's armchair refuses easy categorization. Its value lies in the ongoing tension between these competing elements, which invites us to continuously question its meaning and purpose.