photography, albumen-print
portrait
still-life-photography
photography
albumen-print
Dimensions height 160 mm, width 113 mm
Curator: Today, we're looking at "Portret van een onbekend vrouw met een mand met bloemen," or "Portrait of an Unknown Woman with a Basket of Flowers." This albumen print is a striking example of late 19th-century photography. It predates 1899, crafted in an era of significant changes in photographic technology and social representation. Editor: Oh, she’s beautiful, there's a sort of gentle melancholy hanging about the image, isn’t there? I am captured by the light, a soft diffused light that is caressing the model. I almost feel a little intimidated. Curator: That feeling may well derive from the techniques employed in this style of photographic portraiture. The albumen print process itself required considerable skill, involving coating paper with albumen from egg whites to create a smooth surface for the photographic emulsion. Editor: Interesting - you're looking at process, and I keep going back to her eyes. But tell me, were many photographs like this commissioned at the time? Were many women featured this way? Curator: Portrait photography exploded in popularity around this period. The rise of industrial capitalism and a burgeoning middle class created both the demand and the means for mass production. Photography, at this stage, democratized art, providing a relatively accessible way for ordinary people to document and immortalize themselves. The cost of commissioning such work highlights the shifts in societal production during this era. Editor: It really makes one stop and think about these historical representations – about the stories we read into them, the light we cast onto those anonymous faces looking back. She had a life; people around her enjoyed the produce she helped source, and someone treasured this image once. It reminds me of the ephemerality of everything, really. Curator: Exactly, seeing the historical subject, technique and purpose, enables us to unpack so much history. Editor: Indeed. A quiet marvel of material culture and human spirit!
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