The Prophet 2012

Rose Freymuth-Frazier painted ‘The Prophet’, an oil on canvas work, in the early 21st century. Her animal portraits often invite us to think about the intersections of culture and nature, and how we ascribe meaning to animals. Here, the solemn face of a goat invites a dialogue about representation and power. The title ‘The Prophet’ suggests a reading of the animal as a figure of wisdom or warning, subverting traditional associations of goats with stubbornness. The choice to portray the animal with such dignity might also prompt reflection on the politics of visibility, asking who gets to be seen and valued, and how these portrayals reflect our own cultural biases. Freymuth-Frazier uses the conventions of portraiture, typically reserved for humans, to elevate the animal. The artist's intimate gaze captures not just an image, but an emotional presence, inviting us to consider our relationship with non-human beings.