Jagers en soldaten by George Hendrik Breitner

Jagers en soldaten 1873

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drawing, paper, pencil

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drawing

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quirky sketch

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narrative-art

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paper

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personal sketchbook

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idea generation sketch

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sketchwork

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ink drawing experimentation

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pencil

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sketchbook drawing

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genre-painting

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storyboard and sketchbook work

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sketchbook art

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fantasy sketch

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realism

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initial sketch

Dimensions: height 242 mm, width 347 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Hunters and Soldiers," a pencil and ink drawing on paper from 1873, by George Hendrik Breitner, currently at the Rijksmuseum. It looks like a page from a sketchbook, maybe preliminary sketches for a larger painting. There’s a loose, almost dreamlike quality to it. What do you see in this piece? Curator: This "quirky sketch," as some might call it, speaks volumes about how symbols embed themselves in our collective consciousness. Notice how Breitner juxtaposes scenes of leisure – the hunters with their dogs – against vignettes of military life, hinting at a societal structure underpinned by both pleasure and potential violence. The horse rider has appeared in several paintings depicting violence against the self and nation. Can you see these archetypes represented, repeating throughout history and myth? Editor: I think so. There's definitely a contrast. I see hunting scenes and then soldiers grouped together, in what seems like a mess hall or something similar. Curator: Exactly! And consider the symbolic weight of each element. Hunting, traditionally a pursuit of the aristocracy, versus soldiers, often representing a nation's might and, perhaps, vulnerability. Breitner places them side-by-side, inviting us to contemplate their interconnectedness and shared space within the broader social landscape. Also, do these quick sketches convey different power dynamics to you? The upper image featuring the horsemen versus those resting around the table? Editor: Yes, I hadn’t really considered the power aspect until now. The hunter on horseback certainly projects authority, compared to the soldiers at rest, but the table almost makes them seem conspiratorial... Curator: Perhaps reflecting on that tension between action and repose, public display and private machinations, reveals something essential about the cultural anxieties of the period. Editor: This has given me a lot to consider when looking at Breitner's work. It is not always clear what stories might be told and what collective history informs his symbols.

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