Twee vrouwen op het strand van Portel by Richard Burnier

Twee vrouwen op het strand van Portel 1857

0:00
0:00

lithograph, print

# 

lithograph

# 

print

# 

landscape

# 

figuration

# 

genre-painting

# 

realism

Dimensions: height 423 mm, width 333 mm

Copyright: Rijks Museum: Open Domain

Curator: Richard Burnier's "Twee vrouwen op het strand van Portel," or "Two Women on the Beach of Portel," created in 1857, greets us today. It's a lithograph, offering a glimpse into the lives of working women. Editor: My immediate reaction is one of starkness and toil. The women, burdened with heavy baskets, have their gaze directed towards a somewhat ominous sea, emphasizing the difficulty of their lives, no? Curator: Absolutely. The lithographic process, which involves drawing on stone and using its chemical properties, enables detailed renderings of the fabric of their clothing, the textures of the baskets, and even the damp sand, offering a material understanding of their lived experience and of Burnier's painstaking labour. The realism feels deeply rooted in a very physical understanding of the women's lives. Editor: For me, those baskets are brimming with significance. They are clearly tools, symbols of daily toil, the weight of which these women literally carry on their shoulders. They are symbols of their connection to the ocean and their means of survival. Do you see how Burnier subtly contrasts their earthy figures against the boundless sky and water? Curator: Precisely, and by examining other lithographs of the time, we understand it as a very efficient and reproducible medium suited to capturing images of daily life as these women lived it; it invites us to think about wider consumption and availability. These prints become important historical documents revealing aspects of production and distribution in the mid-19th century. Editor: The seascape behind them certainly acts as a canvas for deeper reflection too, suggesting both the possibilities and perils that the sea represents. It speaks of the vast, unknowable aspects of life against the humble, understandable aspects of labor, rendered by the objects they hold. The gulls might speak of freedom, or loneliness; it's a beautiful duality! Curator: It certainly makes me reflect on the availability of labor that shaped the creation and content of the image. Thank you. Editor: Indeed. And for me, the image leaves an enduring sense of shared strength against the odds.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.