The Strikes of June 1936 by  Boris Taslitzky

The Strikes of June 1936 1936

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Dimensions: support: 404 x 607 mm

Copyright: © ADAGP, Paris and DACS, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Boris Taslitzky's work, simply called "The Strikes of June 1936", captures a pivotal moment in French labor history. The canvas teems with people, flags, and the promise of change. Editor: Wow, it feels both intimate and monumental, doesn't it? Like a blurry memory trying to coalesce into something solid. I get this kind of heavy, hopeful vibe. Curator: It's interesting that you say "heavy." Taslitzky’s own experiences—his Jewish identity, his involvement in leftist politics, and later, his imprisonment—heavily influenced his artistic lens. Editor: The palette is somber but somehow bright. Like the brief flash of a red flag or a summer dress against a backdrop of struggle. It speaks to a moment where collective action and personal experience meet. Curator: Absolutely. And the composition itself, with the figures emerging from the lower depths of the painting towards a brighter, industrial horizon, embodies that journey. Editor: I like the pensive man in the foreground. He grounds the whole scene. Makes me wonder about the individual within the collective, the quiet observer amidst the roar. Food for thought.

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tate about 1 month ago

http://www.tate.org.uk/art/artworks/taslitzky-the-strikes-of-june-1936-t07404

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tate's Profile Picture
tate about 1 month ago

The Strikes of June 1936 is a preparatory sketch for a larger painting. It takes as its subject the general strikes that helped the left-wing alliance, known as the Popular Front, to win the French elections in the summer of 1936. As a committed Communist, Taslitzky was supportive of the government, and the overall effect is festive, reflecting the success of proletarian power. The full-scale painting was destroyed when the Nazis ransacked Taslitzky's studio in occupied Paris. Gallery label, August 2004